753 Free Artworks of People With Bears

paper british museum satirical prints in the british museum baroque painting 'iconographie' by anthony van dyck (petit palais)anthony van dyck collections of maison de balzac prints by james gillray in the british museum james gillray grandville (caricaturist)

Shrine at St Ann's Hill, James Gillray, 1798

prints by james gillray in the british museum shrine at st ann's hill

Shrine at St Ann's Hill, James Gillray, 1798

prints by james gillray in the british museum shrine at st ann's hill

Bewicks-newfoundland, 1 January 1834

a general history of quadrupeds newfoundland (dog)

T'Serclaes De Tilly (Hollstein 31), Paris Musées 20230618132543, Anthony van Dyck, Entre 1634 et 1636

'iconographie' by anthony van dyck (petit palais)baroque painting

Spinola (Hollstein 30), Paris Musées 20230618133047, Anthony van Dyck, Entre 1634 et 1636

'iconographie' by anthony van dyck (petit palais)baroque painting

Gaston de France (Hollstein 28), Paris Musées 20230618175125, Anthony van Dyck, Entre 1634 et 1636

'iconographie' by anthony van dyck (petit palais)baroque painting

Titien et sa maîtresse (MH18 B), Paris Musées 20230618132334, Anthony van Dyck, Entre 1634 et 1636

'iconographie' by anthony van dyck (petit palais)baroque painting

Bazan (Hollstein 17), Paris Musées 20230618184705, Anthony van Dyck, between 1634 and 1636

'iconographie' by anthony van dyck (petit palais)baroque painting

Tableau de Paris. Boulevart de la Madeleine, le Charlatan, avec la pomade pour faire croitre les cheveux, du Monde, une , D.8589, En 1831

drawings in musée carnavalet tableaux de paris (opiz)

Marie de Médicis (Hollstein 25), Paris Musées 20230616172925, Anthony van Dyck, Entre 1634 et 1636

'iconographie' by anthony van dyck (petit palais)baroque painting

Henriette de Lorraine (Hollstein 146), Paris Musées 20230617203005, Anthony van Dyck, before 1649

'iconographie' by anthony van dyck (petit palais)baroque painting

Guzman (Hollstein 22), Paris Musées 20230618174712, Anthony van Dyck, Entre 1634 et 1636

'iconographie' by anthony van dyck (petit palais)baroque painting

Selected Anecdotes about Su Shi and Mi Fu, Su Shi, between 1621 and 1627

classical prose movement mi fu

Print, satirical print, 1739

satirical prints in the british museum baroque

Cartouche met wapenschild van paus Innocentius XI, RP-P-1910-4053, Arnold van Westerhout, 1687

prints by arnold van westerhout in the rijksmuseum amsterdam prints of cartouches in the rijksmuseum amsterdam

The international squadron carrying Prince Otto of Bavaria to become King of Greece firing a salute off Nafplio, February 1833, Giovanni Schranz, circa 1833

paintings in the national maritime museum, london oil paintings of the royal museums greenwich

Nassau-Siegen, Comte de (Hollstein 27), Paris Musées 20230618144758, Anthony van Dyck, Entre 1634 et 1636

'iconographie' by anthony van dyck (petit palais)baroque painting

Gerbier (M-H 160), Paris Musées 20230618174854, Anthony van Dyck, Entre 1634 et 1636

'iconographie' by anthony van dyck (petit palais)baroque painting

Frockas (Hollstein 20), Paris Musées 20230618175608, Anthony van Dyck, Entre 1634 et 1636

'iconographie' by anthony van dyck (petit palais)baroque painting

Scaglia (Hollstein 43), Paris Musées 20230618141246, Anthony van Dyck, Entre 1634 et 1636

'iconographie' by anthony van dyck (petit palais)baroque painting

Pendant qu’il plume son coq, le russe, l’autrichien et le prussien prennent des libertés avec françe oise sa femme, Paris Musées 20230707201249, En 1832

collections of maison de balzac symbolism

Le moulin à paroles, Auguste Desperet, En 1831

collections of maison de balzac auguste desperet

A mansion house treat. or Smoking attitudes!, Isaac Cruikshank, 1800

prints by isaac cruikshank in the british museum satirical prints in the british museum

A mansion house treat. or Smoking attitudes!, Isaac Cruikshank, 1800

prints by isaac cruikshank in the british museum satirical prints in the british museum

A mansion house treat. or Smoking attitudes!, Isaac Cruikshank, 1800

prints by isaac cruikshank in the british museum satirical prints in the british museum

34. North Carolina Monument Dedication Program July 3, 1929_Page_18

gettysburg national military park, adams county, pennsylvania north carolina monument, gettysburg

La fenaison, En 1832

collections of maison de balzac symbolism

La Charte est une vérité……… donc, la presse est parfaitement libre, Paris Musées 20230707125847, Auguste Desperet, En 1831

collections of maison de balzac auguste desperet

Christus aan het volk getoond (Ecce Homo) Kruisdraging Passie van Christus (serietitel) Den Grooten Emblemata Sacra, bestaande in meer dan vier hondert bybelsche figuren, zoo des Ouden als des Nieuwen Testaments (serie, RP-P-2015-10-278

prints after hendrick goltzius in the rijksmuseum amsterdam mannerism

Guy Vaux discovered in his attempt to destroy the King & the House of Lords- His companions attempting to escape-, James Gillray, 1791

prints by james gillray in the british museum satirical prints in the british museum

The w-st-r just-asses a braying-or-the downfall of the E. O. table., James Gillray, 1782

anthropomorphic donkeys james gillray

Poulaupair gargotier restaurateur successeur de Charlot, Rue de Rivoli, En 1832

collections of maison de balzac symbolism

Singeries. Morales, Politiques, etc. Planche 2, Paris Musées 20230708084801, En 1832

symbolism singeries

Mr. W. L. Thomas, Manager of The Graphic, William Luson Thomas, 13 December 1890

the illustrated london news 1890 1890 portrait prints of men

Africa Map - S. Boulton, D’Anville’s Improvement, Thomas Kitchin, 1794

africa in the 18th century 1794 maps of africa

Africa Map - S. Boulton, D’Anville’s Improvement, Thomas Kitchin, 1794

africa in the 18th century 1794 maps of africa

Le Bien. Le Mal. 18, G.5702 (2 of 3), Victor Adam, Entre 1837 et 1840

engravings in musée carnavalet victor adam

Comme quoi le grand Chevalier du soleil de Juillet défit en un combat singulier le Chevalier de la triste Figure qui vou, En 1833

collections of maison de balzac symbolism

Installation, William Dent, 1788

prints by william dent in the british museum satirical prints in the british museum

Sic itur ad Astra Scilicet (This is the way to heaven, of course), Romeyn de Hooghe, 1688

satirical prints in the british museum romeyn de hooghe

Sic itur ad Astra Scilicet (This is the way to heaven, of course), Romeyn de Hooghe, 1688

satirical prints in the british museum romeyn de hooghe

The loves of the fox and the badger, - or the coalition wedding., Thomas Rowlandson, 1784

thomas rowlandson romanticism

The Tea Tax Tempest, or the Anglo-American Revolution, 1778

satirical prints in the british museum american revolution cartoons

Pantagruel's victorious return to the court of Gargantua. After extirpating the soup-meagres of Bouille Land., James Gillray, 1794

prints by james gillray in the british museum satirical prints in the british museum

Descente dans les ateliers de la liberté de la presse, Auguste Desperet, En 1833

collections of maison de balzac auguste desperet

The Hopes of the Party, prior to July 14th- "From such wicked Crown & Anchor-dreams, good Lord deliver us.", James Gillray, 1791

prints by james gillray in the british museum the hopes of the party

The Hopes of the Party, prior to July 14th- "From such wicked Crown & Anchor-dreams, good Lord deliver us.", James Gillray, 1791

prints by james gillray in the british museum the hopes of the party

The Tea Tax Tempest, or the Anglo-American Revolution, 1778

satirical prints in the british museum the tea-tax-tempest

Light Expelling darkness, - evaporation of Stygian exhalations,-or- The sun of the constitution, rising superior to the clouds of opposition., James Gillray, 1795

prints by james gillray in the british museum satirical prints in the british museum

A sett of blocks for Hogarth's wigs, Paul Sandby, between 1762 and 1763

a sett of blocks for hogarth's wigs prints in the british museum

A sett of blocks for Hogarth's wigs, William Hogarth, between 1762 and 1763

prints by william hogarth in the british museum realism

A sett of blocks for Hogarth's wigs, William Hogarth, between 1762 and 1763

prints by william hogarth in the british museum realism

Naissance du juste milieu. Après un enfantement pénible de la Liberté, Paris Musées 20230707193803, En 1832

collections of maison de balzac symbolism

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